Postby ClosetOtaku » Thu Mar 10, 2005 9:44 pm
I would be the first to agree that Korean cinema generally exceeds Hollywood in terms of quality and story line. That's not to say that it's not without its cliches: if I see another story that ends with the hero (or heroine's) beloved die in a hail of bullets, I think I'll scream.
But Hollywood seems to have an obsession with "wrapping things up" in a tidy little bow, sort of the Happily Ever After complex. Movies that don't end on this note in Hollywood are hailed for their innovation. But those movies usually end pretty brutally (any of the David Lynch films come immediately to mind).
I haven't seen too many Korean flicks that are obsessed with this notion (most of the romance stories notwithstanding, where a happy ending is de rigueur). Rather, the Korean story tells of life with its challenges, and when the movie ends, you are left with the impression: life goes on. No happily ever after per se, but not so depressing that you leave the theater (or turn off the TV) and wished you'd spent the last two hours doing something more constructive, like counting paper clips.
I've seen a couple films recently (including Silmido and The President's Barber) which show a great deal of the reflection that the people of South Korea are doing over their 20th century history. Where that will lead is uncertain, but the cinema is having a definite impact on the people's attitudes here.
Glad you liked Silmido, and would encourage anyone interested in a little dose of how South Korea worked back in those days to watch it.
"If I find in myself a desire which no experience in this world can satisfy, the most probable explanation is that I was made for another world." -- C.S. Lewis