[quote="Yuki-Anne (post: 1426350)"]This seems like it has potential. I like how you caught our attention in the prequel by having him led away without telling us why.
I think your writing style could use some tightening up, though. Here's a tip my writing professor gave me, and he got it from some famous author or other: use the fewest words possible to communicate your meaning. For example, take the sentence, "The people of the village were there watching the scene."
You can tighten up your writing by changing it to something like, "The villagers looked on." This takes your sentence from ten words to four, and loses no meaning in the process. You could also meld it into the next sentence by saying something like this: "The villagers watched, their feelings divided. Some grinned with an air of satisfaction, but many of Aedin's friends and acquaintances were distressed."
Note the use of dynamic verbs and nouns as opposed to adverbs and adjectives. This is important to writing: your story is more dynamic and interesting if you replace adverbs and adjectives wherever possible with more expressive nouns and verbs. You seem to be doing this fairly well, actually, so keep it up.
Be careful about exposition. Any time you stop to describe something or give us the history of something, you're doing just that: stopping. Is there a better way to tell us something? Maybe have Aedin describe his backstory himself by writing the conversation between him and the girl. In this way, you aren't stopping the story to tell us what happened, and the way he describes it could add nuance to his character that is skipped over by bare narration. Get creative with this. The way a person tells their life story can tell you a lot about a person. Is it just bare facts? Or are there emotional nuances to it? I get the feeling it could be the latter, but when you as the narrator tell us, we just get bare facts, and you telling us how he feels about them. Instead, have him show us how he feels about them.
Also, at the end of this chapter, you glossed over Aedin and Anna's conversation in the garden and just kind of gave us a summary. But if it isn't important, why mention it at all? This part has potential]
Hey thanks! Youre advice is quite helpful! I actually havent worked on the story in a while, but youre post here made me want to work on it alot more!
Thanks so much for your critique! ^^-b
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