Fish and Chips (post: 1216398) wrote:That's my criticism in brief. Actual comedic value taking a backseat for this post, the punchline is entirely irrelevant to the set up. You could cut this comic in half, and Erika's quip at the end is just as efficient (or inefficient) to carry the joke. A single panel even. And talking about the context of the scene implies that the humor lies there, but the joke stands whoever they are. Girlfriend, friend, mother, sister, arch nemesis, employer, fellow employee, the gag doesn't change. Now if she was a complete stranger, then it would just be weird.
I do not read Megatokyo, but if this is "One of the best punchlines yet" not sure I see the appeal.
Well, if this were a gag strip, your analysis would be correct. However, MT is properly a comic drama, not a gag strip. It runs along similar lines to many shojo romances, but because it's set in a shonen-esque world, it tends to lend itself to gag-strip-like jokes, which the cartoonist normally positions in the last few panels. These panels function like a gag-strip, but everything before them is part of the ongoing story, not set-up for the gag.
Anyhow, on further review I suspect you really would need to know these characters to get the full effect. It isn't so much the gag itself as it is the extra layers of meaning it acquires by involving this particular couple. I ought to have realized this earlier, I guess.
Anyhow, given that the print version of MT continues to be the best selling OEL book on the manga shelves, the appeal evidently exists for quite a few of us. Of course, we should remember that few books on those same shelves appeal to everyone, OEL, OJL, or other.
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